[SPAM] Re: [Phono-L] Young collectors

Douglas Houston cdh041 at earthlink.net
Sun Jun 28 18:44:17 PDT 2009


Another one just turned on a light. One of the radios that Chevrolet
offered as factory accessories in 1937, had a volume expander on it,
believe it or not! I think I may have one in my collection of shrunken
heads. It was so simple, it was funny.

 They had an incandescent bulb, across the secondary of the output
transformer, either from a special tap on the winding, or across the entire
voice coil. On soft levels, the bulb would be a low value resistive load on
the output, and attenuate it. As levels increased, the bulb would light
brighter, increasing the  resistance across the speaker, and effect higher
volume. It was purely a brute-force item. There was a switch on the radio
case (they were cable-controlled sets at that time) to select expansion, in
or out. At least, I have the service bulletin, but I'm going to have to
look up the set. 

Aside from the thread somewhat, Chevrolet had a radio in 1941 and 1942,
with 4 short wave bands on it. I have one in my '41 Chevy convertible.
There were some interesting things in those years of advancing
civilization. 


> [Original Message]
> From: <Zonophone2006 at aol.com>
> To: <phono-l at oldcrank.org>
> Date: 6/28/2009 8:38:18 PM
> Subject: Re: [SPAM] Re: [Phono-L] Young collectors
>
> interesting
> in the 70s i knew a rock band that used the expanders too in their live  
> performances
>  
>  
> In a message dated 6/27/2009 3:51:23 P.M. Eastern Daylight Time,  
> gbogantz1 at charter.net writes:
>
> An  interesting thing about dynamic volume expanders/compressors for 
> readers  
> of this antique phonograph forum is that they date back to the early  
> 1930s. 
> dbx didn't invent them by any means.  The earliest appearance  of this 
> circuit in consumer products was in models by E.H. Scott in the  Allwave
23 
> (a massive 23-tube radio divided into two or more chrome-plated  chassis
- 
> the volume expander was yet a separate chassis sold as an  option), and
the 
> RCA R-99 record player and D-22 radio/phonograph, both of  which included 
> the 
> volume expander as standard equipment.  These  models appeared about
1935. 
> Professional compressor circuits were being  used a little earlier,
mostly 
> to 
> compress the signals for AM radio  broadcasting (FM wasn't available
yet). 
> These circuits really weren't  technologically feasable until the
invention 
> of the pentagrid tube (it had  FIVE grids!) which was originally designed 
> for 
> the purpose of providing  the oscillator and mixer functions in a single 
> tube 
> in superheterodyne  radio circuits.  But the extra grids allowed this
tube 
> to 
> be used as  a DC-controlled transconductance amplifier - the variable
gain 
> element  necessary to accomplish dynamic volume control.  Pentagrid tubes 
> were  used for this purpose for many years until the development of solid 
> state  technologies that could do the same thing.  Curiously, though, the

> most popular DC-controlled amplifiers used in recording studios then and  
> even NOW are a simpler technology employing light-dependent resistor
(LDR)  
> elements.  Even though this technology is 50 years old, modern  recording 
> engineers still prefer the sound of LDR compressors over the  more modern 
> circuits.
>
> Greg Bogantz
>
>
>
> ----- Original  Message ----- 
> From: <Zonophone2006 at aol.com>
> To:  <phono-l at oldcrank.org>
> Sent: Saturday, June 27, 2009 5:46  AM
> Subject: Re: [SPAM] Re: [Phono-L] Young collectors
>
>
> > does  anyone remember the expanders of dbx fame
> > i have and had used a lot of  them back in the 70's for expanding and
> > constricting the  music
> >
> >
> >
> > In a message dated 6/26/2009 11:47:39  P.M. Eastern Daylight Time,
> > phonographs at charter.net  writes:
> >
> > I used  to work at a hi-fi stereo shop in  Madison, WI about 2 years
ago 
> > and
> > found  that many young  people were into turntables and vinyl.  They 
> tended
> > to
> > be  high school and college age students.  The biggest reason why  they

> > liked
> > vinyl was because it was cheap.  They could buy  used  records at used
> > record/CD stores and at garage sales for 99  cents or less,  while the
> > average
> > used priced CD for  popular music was $8.99.
> >
> > Even  though these vinyl  enthusiasts understood records and were
familiar
> > with  them, they  had little to no knowledge of 78s or cylinder records.
> > When
> > I  would share this technology with them, they thought it was the   
> coolest
> > thing.
> >
> > Records have been making a comeback now  for several  years and new
vinyl 
> > is
> > being produced,  although expensive at nearly $30 or  more for an album.
> >  Just
> > a few years ago there were high-resolution  formats of  digital music 
> > called
> > SACD and DVD Audio.  These  formats  were near record quality, but never
> > really caught on as  they needed special  players to play these discs.
> > Records  actually began to overtake these  formats and within a few
years
> >  SACD
> > and DVD-Audio was dead.
> >
> > When CDs  came out  around 1983-84, it was thought they would be record
> > killers and   records would go the way of the cassette tape.  While
there 
> >  was
> > a huge  decline in record and turntable sales, the market  never died. 

> It
> > faded away for a few years, but is coming  back.  There are many  young
> > people
> > who appreciate  the quality of high-end turntables and stereo  systems
to
> >  give
> > these records the respect they deserve.  A good stereo   system will
make
> > records sound better than a CD.  Records have  an  ambiance that CDs
lack 
> > and
> > can produce a 3D audio  effect, while CDs have a  monodimensional sound.
> >
> > Online  music, including MP3, MP4, WMAs, etc have  become very popular
in
> >  recent years by people of all ages.  It is a  matter of  convenience.
> > Convenience always wins over quality.  Take   disc records to cylinders 
> for
> > example.  Discs were more compact  and  soon provided two songs on one 
> > disc,
> > even though  they didn't sound quite as  good as cylinders at the turn
of 
> >  the
> > century.  Online music also  allows you to buy only the  songs you want,
> > eliminating the waste of a full  album and is  more cost effective. 
This 
> > is
> > proving to be the demise  of  the CD.  Many stores have reduced the
space
> > used
> >  to carry the once  mighty CD.  Perhaps the CD will one day go away  as 
> > well.
> > This awaits  to be seen.
> >
> > Many  of the younger people who are a product of the iPOD  generation
may 
>  
> > not
> > have heard records and probably have never heard a  good  sounding
stereo
> > system.  That is a shame because it is  an experience  to behold.  All
we 
> > can
> > do is educate  and share this information with  these younger
generations 
> >  in
> > order to keep the analog recording alive and   well.
> >
> >
> >
> >
> > -----Original  Message-----
> > From:  phono-l-bounces at oldcrank.org
> >  [mailto:phono-l-bounces at oldcrank.org]On Behalf  Of Robert Wright
> >  Sent: Friday, June 26, 2009 4:31 PM
> > To: Antique  Phonograph  List
> > Subject: [SPAM] Re: [Phono-L] Young   collectors
> >
> >
> > But because DJ'ing is 'cool', some of that  mentality  rubs off on
(young)
> > consumers.  We have a more  phono-conscious youth  culture now than in
the
> > last 20 years  because of it.  Meanwhile,  analog (vinyl, strictly 
> >  speaking)
> > has been strengthening its foothold in  the audiophile  market (and
> > publications) VERY solidly since '97 or so, and   there are more record
> > labels
> > (both large-scale that release on  vinyl AND  indie labels dedicated 
> > strictly
> > to audiophile  pressings) today than  ever.  Someone else on the list 
> said 
> >  it
> > already -- it comes and goes  in cycles, as it always has --  remember
the
> > pre-war blues 78 market back  when Gayle Dean  Wardlow risked his life
> > canvassing for them in the   60's?
> >
> > The truth is, we only know the state of things as we can  see  them,
and 
> > none
> > of us ever really has an accurate  idea of the overall  picture 
> > (thankfully).
> >
> > Best  to all,
> > Robert
> >
> >
> >
> > -----  Original  Message -----
> > From: "John Maeder"   <appywander at hotmail.com>
> > To: "Antique Phonograph List"   <phono-l at oldcrank.org>
> > Sent: Friday, June 26, 2009 3:30   PM
> > Subject: RE: [Phono-L] Young  collectors
> >
> >
> >
> > Yes, that was my  line of  thinking exactly what with club DJs
scratching,
> > etc., when I   planned my talk.  I think, perhaps, that club DJ's are
the
> >  primary  consumer of vinyl and 'civilians' simply aren't exposed to it 
> in  
> > a
> > hands-on  home environment anymore.  Having said  that, I recently read 
> > that
> > vinyl record production is at its  highest level in a couple of decades
> > right
> > now, although still  just a very small fraction of unit sales.  I 
guess 
> >  just
> > music 'geeks' buy vinyl nowadays?  Even CDs and DVDs are  in  sales 
> decline
> > now because of MP3 and MP4.
> >
> >  John M
> >
> >> From:  jay.horenstein at gmail.com
> >>  To: phono-l at oldcrank.org
> >> Subject: RE:  [Phono-L] Young  collectors
> >> Date: Fri, 26 Jun 2009 13:18:34   -0700
> >>
> >> Vinyl isn't a thing of the past.  It's  still used  in clubs.
Turntables
> > are
> >> used as  instruments in Rap, Hip Hop, R&B.  Classes on how to use  them
> >> as instruments are given to aspiring  DJ's.   Stereos are still sold in
> >> almost
> >> every large   store, and new artists are still recording on vinyl. 
It's 
> >>  my
> >>  guess that the young people ignorant of the record  player, download  
> all
> >> their music from the internet, and are  probably just as clueless  to
the
> >>  CD.
> >
> >  _______________________________________________
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> >
> >  _______________________________________________
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> >
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