[Phono-L] Auxetophone Sold!

TAEdisonJR at aol.com TAEdisonJR at aol.com
Sun Aug 12 21:51:40 PDT 2007


While I do not mean in any way to denigrate Jasper Sanfilippo's Auxetophone  
-- the only example known to survive with a functioning original air blower -- 
I  must say that the few times I've heard it in action it has not come close 
to  comparing to the four original and one reproduction machines I've heard  
(including my own early "Queen Anne" version) with new compressors made by  
Paul Baker. Fundamentally the original and reproduction blowers are  designed to 
do the same thing -- supply a high volume of forced air through the  
reproducer -- and they work in the same way, with a conventional electric motor  
powering a high-speed blower. The difference is in efficiency. One of the chief  
drawbacks to the Auxetophone was the very high maintenance requirements. The  
original blower bearings required nearly constant oiling -- at least once a day  
-- and the oil vapors were so problematic that a complex system was devised to 
 condense some of the vapor to minimize corrosion of the soundbox. There are 
two  sets of air filters which also required daily replacement.
 
Jasper's collection is simply too large for the Auxetophone to undergo  daily 
oiling and changing of filters. This year the machine was not demonstrated  
because it was out of order. The rather weak response of the machine in the  
times I've seen it demonstrated is surely due to incorrect adjustment or  
maintenance of the blower. The phonograph has a HUGE horn, much larger than  
originally supplied, and that alone accounts for much of its sound volume. A  good 
Exhibition reproducer with a horn of that size would virtually match  the volume 
on that particular Auxetophone.
 
All of the other working Auxetophones I've heard will blow that one away,  no 
pun intended. The Baker blower units look like the original but have sealed  
bearings that are maintenance-free. Properly adjusted, an Auxetophone is  
literally painful to the ears if you stand too close. It's easy to understand  why 
this machine had limited appeal, aside from its excruciatingly high original  
price of $500, which was considered a good annual salary in 1906. There is  
no way to control the volume, it is either on or off. It's definitely loud  
enough to fill a room, but don't get too close!
 
There is a very, very brief clip of mine included near the end (at about  
1:30) of a 2001 local newscast now on YouTube at 
_http://www.youtube.com/watch?v=E_tSqgV2_qI_ (http://www.youtube.com/watch?v=E_tSqgV2_qI) .  You can get just 
a tiny sense of how loud it is when you hear how much it  overpowers my own 
voice as I comment on it. I also have pictures posted on my  website at 
_http://members.aol.com/antiquephono/auxeto.htm_ 
(http://members.aol.com/antiquephono/auxeto.htm) .
 
These are truly amazing machines!
 
Best regards,
Rene Rondeau
 
 



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