[Phono-L] Frozen moments (please read)

Scott & Susan Daniels ssdaniels at verizon.net
Fri Dec 29 05:02:01 PST 2006


That's a great story.I have often wondered if people involved in the  
recordings believed they would be heard 100 years later. Or perhaps,  
as they had no way of knowing how the recording industry would  
completely change during that time, if they believed that the  
recordings made then would be just as popular 100 years later!

Scott
On Dec 28, 2006, at 11:13 PM, john robles wrote:

> Oh, I can sympathize - One Christmas I was listening to Nellie  
> Melba singing Ave Maria on a Victor record, accompanied by  
> violinist Jan Kubelik. At the same time I was reading 'A Matter of  
> Records', the story of Fred Gasiberg by Jerrold Northrop Moore  
> (which borrowed very heavily from Fred's own book, 'The Music goes  
> Round'). I came upon a passage describing the recording session of  
> the VERY RECORD I was listening to, and in Fred's words:
>   "The accompanist strikes the first chords of the Ave Maria, and  
> in another minute Melba is heard singing. She stands with her back  
> to us, her hands clasped in front of her, her lips a few inches  
> from the trumpet....Behind the frosted glass, which is clouded  
> luminously with electric light, the shadows of the operators pass  
> as Melba sings....One wonders who will be listening to this music a  
> hundred, two hundred, five hundred years hence.  In the Venice,  
> Paris, Berlin and New York of that far day, people with a knowledge  
> at which we cannot guess, with an outlook which we cannot  
> comprehend, will be listening to the charm of this song even as we  
> are now listening in a London office. Melba and Melba's life story  
> will seem to them an ancient tale, Kubelik's toil and triumph will  
> mean nothing to them; but the voice of the one and the violin fo  
> the other will be as real and as gracious then as they are to us now."
>   Is that a cosmic experience or what? I had a chill down my  
> spine...but one of remembrance and almost deja vu. A very beautiful  
> experience of reaching across time to another place.
>   John Robles
>
> Andrew Baron <andy at popyrus.com> wrote:
>   This is beautifully put, Robert. I feel exactly the same way, even
> after 32 years of exposure to early records. When I give my annual
> presentation to the high school history class I try my best to impart
> this very feeling. Careful selection of the records goes a long way
> toward reaching hibernating imaginations.
>
> The current h.s. generation grew up in the computer era; being fed
> information, images, sound and content without having to imagine any
> part of the media being presented. The imaginations are there, but
> may be less developed than earlier generations where the 'theatre of
> the mind' was given more chance to be exercised.
>
> For phonograph records, the part that happens in your mind is
> obvious. For radio, well, consider the following, which I read
> somewhere along the way (or something approximating this): A young
> boy was asked, around 1950, whether he liked the old Lone Ranger
> program on radio (which he could still tune into if desired) or the
> new one that had just recently been introduced to the marvelous
> medium of television. The boy replied that he liked the Lone Ranger
> on radio because the pictures were better.
>
> Andy Baron
>
>
> On Dec 27, 2006, at 10:10 PM, Robert Wright wrote:
>> (...With every record, from since I can remember, I've gotten the
>> sense of peeking through a window at a frozen moment in another
>> place and time, and cherished that like magic. I remember staring
>> into the grooves of any given favorite and wondering, amazed, how
>> this inanimate, cold piece of material, this squiggly line pulled
>> under a sharp rock, was capable of making me feel things so
>> intensely. I still feel the same way.)
>
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